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And Beverly D’Angelo breezes in and out as Hildy’s childhood best friend and longtime drinking buddy. Hildy’s narration is wry and wise, sometimes conspiratorial and increasingly contradictory, as she shows us around the charming (and fictional) New England town of Wendover. She’s been the queen bee realtor for decades in this insular hamlet, but all that’s changing as nouveau riche families barge in from nearby Boston. Hildy’s proud of the fact that her family’s been a fixture in Wendover for centuries—dating to the time of the Salem witches, one of whom is her ancestor. (Cue the on-the-nose use of “Season of the Witch,” among the movie’s many perky music choices.) Now divorced (since her husband left her for a man) and infrequently in touch with her grown daughters, Hildy is struggling to determine who she is.
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In the film’s sharp comic observations, though, and especially its two fine leads, something real and messy sparks to life. The film’s ultimate shift to addiction drama isn’t in itself a problem, but the events that bring Hildy to a devastating point of self-recognition feel like a clutter of contrivances rather than an involving chain of inevitability. Hildy (Sigourney Weaver), a divorced small-town realtor, struggles to feel normal in her day-to-day life. A struggling alcoholic, Hildy constantly spends her days lying and creating excuses to justify her drinking. When her family stages an intervention, she must come to terms with what her drinking is doing to everyone around her. Co-directed by Maya Forbes and Wallace Wolodarsky, this film is based on Ann Leary's novel of the same name.
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Here you will find an overview of the cast of the movie The Good House from the year 2021, including all the actors, actresses and the director. When you click on the name of an actor, actress or director from the movie The Good House-cast you can watch more movies and/or series by him or her. Find a list of new movie and TV releases on DVD and Blu-ray (updated weekly) as well as a calendar of upcoming releases on home video. With the arrival of Zack Snyder's latest Rebel Moon chapter on Netflix, we rank every one of the director's films—from bad to, well, less bad—by Metascore.
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After co-starring opposite each other in the ‘90s in “Dave” and “The Ice Storm” Weaver and Kline have a warm, easy comfort in each other’s company, as well as a prickly, teasing affection. Hildy befriends a woman, Rebecca, who she sold a house to her and her husband and is then drawn into her life. She discovers Rebecca and the local psychologist, Peter, are having an affair, but she promises she won't reveal their secret.
Wine doesn’t really count as drinking, Sigourney Weaver’s character insists in “The Good House.” She’s not really drinking alone, because the dogs are with her in the kitchen as she pours merlot from her secret stash into a coffee mug. And she’ll be extra careful this time, she promises, so she’s fine to drive into town after downing a few glasses. Hildy Good, a wry New England realtor and descendant of the Salem witches who loves her wine and loves her secrets. Her compartmentalized life starts to unravel as she rekindles an old romance and becomes dangerously entwined in one person’s reckless behavior. In contrast, the local inflection in Frank’s speech expresses his down home lack of pretension; he’s self-sufficient and, unlike Hildy, couldn’t give a damn what people think of him.
With his effortlessly droll, low-key performance, Kline creates quite the mensch. However rom-com formulaic the trajectory of Hildy and Frank’s relationship, it’s impossible not to root for these two sexagenarians, especially during their first awkward date, the conversational lulls filled by the sound of cracking shells and spurting lobster juice. Forbes, having been a longtime writer-producer of The Larry Sanders Show, understands the friction between professional façade and crumbling spirit. She tackled the subject of mental illness in the well-observed, if insistently upbeat, Infinitely Polar Bear. Observational comedy is her forte, and also that of Wolodarsky (Seeing Other People). In The Good House, they don’t quite make the soapy neighborhood developments, or most of the present-day family stuff, matter.
Sigourney Weaver
She avoids alcohol for quite a while, and then finds out that Peter is selling his home and using Wendy instead of her. She confronts him and says he will destroy her career if he gives this sale to Wendy, so she threatens him with the information she has about him and Rebecca. Hildy is able to sell his home, then uses that sale to snag the large estate the Santorelli brothers built in Wendover. She celebrates with them, taking her first sip of alcohol in a while, and then can't stop. She drives drunk to Frank's house, telling him they need to celebrate, and Frank takes her keys and offers to drive her home.
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MovieMeter aims to be the largest, most complete movie archive with reviews and rankings, in the World. It’s a treat to watch her react to the off-the-charts self-involvement of her useless young assistant (a terrifically funny turn by Imogene Forbes Wolodarsky, the directors’ daughter). Unapologetically judgmental and keenly perceptive, Hildy harbors a massive blind spot only when it comes to her own life.
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As imperious as she can be, this proud descendant of a Salem “witch” is also damn impressive. A key part of that plan is Frank (Kline), whose blue-collar scruffiness belies the fact that he’s one of the wealthiest men in town, a thriving garbage-collection service among the businesses he owns. The idea of real estate as a window into the soul is central to the source material, and some of Hildy’s comments to us are drawn straight from the novel. She can tell you the state of a marriage after one quick walk-through of a kitchen. Chief among the unhappily marrieds are a pair of well-to-do town newbies (Morena Baccarin and Kelly AuCoin) and a psychiatrist (Rob Delaney) and his perpetually dour wife (Laurie Hanley).
But the one source of stability in her life comes from Kline’s Frank Getchell, her high school flame and first love. He’s the town’s cantankerous contractor/handyman, and his disheveled appearance and down-to-Earth demeanor would never suggest he’s the richest guy around. Their hesitant fumblings toward rekindling their romance are amusing and sweet—the kind of relationship older audiences don’t get to see often enough in the movies anymore.
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Hildy continues to drink in solitude instead of in the open, justifying her drinking by saying she just needs to take the edge off and that she doesn't "need" to drink. Peter approaches her about selling his home, but says it's not set in stone and not to speak of it, Hildy assumes this means he will be asking for a divorce. Hildy decides not to drink anymore after one night when she is cornered in the cellar and drinks two bottles of wine.
A big fish in a small pond, Hildy has long been a highly successful real estate agent in her hometown on Boston’s North Shore. Wealthy investors and corporate interests are moving in, a onetime protégé (Kathryn Erbe, in a thanklessly cartoonish role) has become a cutthroat competitor, and business isn’t what it used to be. Hildy Good, the whip-smart and self-deluding Realtor at the center of The Good House, spends a significant portion of screen time breaking a wall — the fourth one, that is. In lesser hands, such a narrative device could be distracting or downright annoying. But Hildy, an alcoholic who’s pretending to be in recovery, is played by Sigourney Weaver, who makes every exasperated glance, incisive put-down and dissembling excuse absolutely magnetic.
The company’s investment partners include Reliance Entertainment, Entertainment One (eOne), Alibaba Pictures and Universal Pictures. None of these characters is nearly as richly drawn or interesting as Hildy and Frank, but increasingly, the story turns toward them and others. They feel like contrivances and plot devices, especially in some third-act melodrama that comes out of nowhere and whips the story up into an empty frenzy. It’s so wild, you’ll wonder what’s really happening and what she’s hallucinating.
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